It seems to be a fascinating fusion of forms and perspectives. It is an abstract, surreal photograph that undergoes a profound transformation through the use of artificial reflectors. The three-dimensional space is reduced to a two-dimensional plane, as if the depth were dissolving into a flat, almost graphic structure.
The colour palette remains deliberately restrained and subtle, almost entirely in shades of grey. The grey within grey reinforces the emotional density and leaves room for interpretation. It conveys a certain melancholy and at the same time a cool clarity. The reflections create a kind of distorted reality in which the contours and shapes flow into one another and unite to form an almost dreamlike, surreal universe. The structures appear both familiar and strange, forcing the viewer to question the boundaries between reality and illusion.
The overall result is a visual experience that both challenges the eye and questions the perception of spatial and temporal dimensions - a fascinating interplay between 2D and 3D that opens up space for personal associations.
Over 50 years of photography
I began my photographic journey at a time when digital photography did not yet exist and analogue technology was the measure of all things. In those early years, I moulded my signature style as a photographer by exploring the different aspects of photography - from..
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