Between 1890 and 1891 Monet devoted some thirty paintings to the haystacks in a field near his house at Giverny. In the midst of this effort, he wrote to the critic Gustave Geoffroy: 'I am working very hard, struggling with a series of different effects (haystacks), but at this season the sun sets so fast I cannot follow it. . . . The more I continue, the more I see that a great deal of work is necessary in order to succeed in rendering what I seek.'
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