The Magdalen Reading, Rogier van der Weyden from the old master collection

Buy The Magdalen Reading, Rogier van der Weyden as a reproduction on canvas, ArtFrame, poster and wallpaper, printed on demand in high quality.
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Product details & specifications
Type
Textile fabric (interchangeable fabric) in an aluminium or wooden frame
Width
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Height
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Custom sizing
Made to measure, in steps of 1 cm
Frame thickness
25 mm Aluminium: 2–3 mm visible on the front
Wood: 0.5 cm visible on each side
Frame colours
Black, white, aluminium, gold
Wood: natural Ayous
Finish
Fabric: matte
Aluminium frame: matte (gold glossy)
Wooden frame: natural
Acoustic option
Yes (optional)
Sturdiness
Support bar included from 180 cm (aluminium frame)
Delivery
Self-assembly kit
Hanging
Wall mounts, or on a ceiling rail (see components)
Components
Frame, acoustic panel, wall mounts, eyelets for rail mounting (via customer service)
Not suitable for
Damp areas and outdoor use
Material
SEG textile
Acoustic material (B1 fire class, partly made from recycled PET bottles)

Components (frame, acoustic panel, wall mounts, rail mounting) can be ordered via customer service. A separate interchangeable fabric can only be hung if you already have an ArtFrame.

Size
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Aluminum frames
Wooden frames New
ArtFrame comes as a simple construction kit. View self-assembly instructions.
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Acoustic material
Total price
2 176 kr
Art code 1442643
The Magdalen Reading, Rogier van der Weyden by All the Masters
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About ‘The Magdalen Reading, Rogier van der Weyden’

The Magdalen Reading, Rogier van der Weyden (1435)

In Rogier van der Weyden's work "The Magdalen Reading," we see a young woman dressed in a lavish green gown of the fifteenth century, seated on the ground deeply engrossed in her reading. Despite her historical attire and the medieval setting, she represents the biblical persona of Saint Mary Magdalene. Beside her, on the floor, rests the pot of oil she famously used to anoint Christ's feet, casting a pronounced shadow—a traditional emblem of her identity. Her posture creates a semi-circular silhouette, with her head and legs gently arching around her folded knees, highlighting her intense focus on the text before her.

This piece was once part of a larger composition, situated at the lower right segment of a grand altarpiece depicting the Virgin and Child with saints, intended for a church in Brussels. Within the painting, one can discern fragments of other figures: a partial view of a man situated behind Mary and the protruding toes of another, kneeling figure cloaked in a voluminous red garment to the left, indicating the broader narrative once captured by the original altarpiece.

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