Self-Portrait in Tuxedo, Max Beckmann (1927)
Beckmann's self-portrait, showcased at the Berlin Secession, made a powerful impression with its bold execution and direct gaze. The painting's striking use of thick paint, large color planes, and dramatic shadows created a mask-like effect, reflecting the artist's unique position: a member of conservative elite circles who used his insider status to critique society. Though claiming political neutrality, this work marked the beginning of Beckmann's increasing use of allegory to comment on contemporary issues.
