In the heart of the Namib Desert lies a place that seems to exist outside of time - the legendary Dead Vlei. This dried-up salt pan, surrounded by sand dunes up to 300 metres high, is one of the most impressive landscapes in Namibia. The contrast between the bright white clay soil, the deep blue sky and the glowing orange dunes creates an almost unreal backdrop. In the middle of this expanse stands a single, dead camelthorn tree - black, gnarled and motionless.
The tree has survived the centuries, preserved by the extremely dry air. Its shape is twisted, its branches seem frozen in motion. It stands there like a silent guardian of time. No wind moves it. No sound disturbs the silence. And yet it speaks - through its mere presence. Its shadowy line above the cracked ground is as clear as a written word.
Dead Vlei was once a water-rich valley, fed by the Tsauchab River. But shifting dunes blocked its course and the water disappeared. What remained was a landscape of reduction - a stage of light, surface and line. What appears barren to many is actually a silent composition of elements. Every step here crunches, every breath is conscious. It is not a place of noise - it is a space of perception.
Nature photography does not find variety in this scene, but depth. The alternation of heat and light, darkness and emptiness, becomes a narrative without words. The shadows of the tree are not coincidences - they are an echo of the sun, a drawing in space. Photography not only frames the visible, but also opens up the invisible. Those who open themselves to this clarity recognise that the essential lies in the absence.
Ideal for living spaces, surgeries, galleries, studios, libraries, places of meditation
I have always enjoyed photography. Even when I was young, I took photos with the Beirette. It even happened to me once that I inserted a film twice ... and the photos I took were very interesting.
I then bought my digital SLR camera in 2014. The first photos..
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