Paths, doors, gates, whether real, conventionally or magically created, futuristic machines for teleportation - nobody knows where they are going. There it is again - the viewer's mental cinema, curiosity, interpretation ...
It all began at the end of the 1970s with technical illustrations for the world's largest science fiction series PERRY RHODAN. Later, I ended up in the digital world in the early 2000s using various techniques and have stuck with it, especially since the possibilities of expression here.. Read more…