The Consummation of Empire, Thomas Cole from the old master collection

Buy The Consummation of Empire, Thomas Cole as a reproduction on canvas, ArtFrame, poster and wallpaper, printed on demand in high quality.
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Product details & specifications
Type
Textile fabric (interchangeable fabric) in an aluminium or wooden frame
Width
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Height
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Custom sizing
Made to measure, in steps of 1 cm
Frame thickness
25 mm Aluminium: 2–3 mm visible on the front
Wood: 0.5 cm visible on each side
Frame colours
Black, white, aluminium, gold
Wood: natural Ayous
Finish
Fabric: matte
Aluminium frame: matte (gold glossy)
Wooden frame: natural
Acoustic option
Yes (optional)
Sturdiness
Support bar included from 180 cm (aluminium frame)
Delivery
Self-assembly kit
Hanging
Wall mounts, or on a ceiling rail (see components)
Components
Frame, acoustic panel, wall mounts, eyelets for rail mounting (via customer service)
Not suitable for
Damp areas and outdoor use
Material
SEG textile
Acoustic material (B1 fire class, partly made from recycled PET bottles)

Components (frame, acoustic panel, wall mounts, rail mounting) can be ordered via customer service. A separate interchangeable fabric can only be hung if you already have an ArtFrame.

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Wooden frames New
ArtFrame comes as a simple construction kit. View self-assembly instructions.
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Acoustic material
Total price
2 230 kr
Art code 469049
The Consummation of Empire, Thomas Cole by Masterful Masters
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Artist impression (not based on the entered sizes)
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Artist impression (not based on the entered sizes)
Example of the artwork in a room
Artist impression (not based on the entered sizes)

About ‘The Consummation of Empire, Thomas Cole’

The Consummation of Empire, Thomas Cole.
Part of the series "The Course of Empire".

The third painting, The Consummation of Empire, shifts the viewpoint to the opposite shore, approximately the site of the clearing in the first painting. It is noontide of a glorious summer day. Both sides of the river valley are now covered in colonnaded marble structures, whose steps run down into the water. The megalithic temple seems to have been transformed into a huge domed structure dominating the river-bank. The mouth of the river is guarded by two pharoi, and ships with lateen sails go out to the sea beyond. A joyous crowd throngs the balconies and terraces as a scarlet-robed king or victorious general crosses a bridge connecting the two sides of the river in a triumphant procession. In the foreground an elaborate fountain gushes. The look of the painting suggests the height of ancient Rome. The decadence seen in every detail of this cityscape foreshadows the inevitable fall of this mighty civilization.

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