A carpet of shells covers the shoreline like an ancient skin made of sea, shells, and time.
The close-up reveals a dense, fragmented texture: valves, spirals, and salt-eroded curves intertwine in a natural composition that feels chaotic yet perfectly harmonious.
Each shell is a sealed story, a fossil trace of marine life resting on the sand as memory.
The muted cool tones, blue, ivory, gray, lavender, seem faded by wind and water: they reflect the natural weathering of matter, visible in the chipped and polished surfaces.
The texture is crisp and tactile, full of details and irregularities, a compact image that speaks of density, abundance, stratification, yet also natural fragility: an organic, monochromatic vibration in a quiet palette.
It’s a close-up that becomes a landscape, a natural collection turned pattern: fragile, repeated, still alive beyond its end.
Born in Milan on November 28, 1977, I’ve been living in Bormio for many years, where I work as a ski instructor and draw endless inspiration from the surrounding mountains and nature.
Photography, to me, is not just about representation, it’s about interpretation.
Many of my..
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