Flaming June, Frederic Leighton
It is widely considered to be Leighton's magnum opus, showing his classicist nature. It is thought that the woman portrayed alludes to the figures of sleeping nymphs and naiads the Greeks often sculpted.
Flaming June was first begun as a motif to adorn a marble bath in one of Leighton's other works, Summer Slumber. He became so attached to the design that he decided to create it as a painting in its own right.
According to art historian Andrew Graham-Dixon "her pose is loosely modelled on that of Michelangelo's famous statue of Night, in the Medici Tombs in Florence, which Leighton regarded as one of the supreme achievements of Western art." The position of the sleeping woman gave Leighton a great deal of trouble. He made several preliminary sketches to determine the way in which she should lie; in particular he had difficulty making the angle of her right arm look natural. His studies show that the picture went through at least four evolutionary sketches before Leighton came to the end result. Out of these studies, four are nude and one is draped.[2] The draped figure looks the least lifelike, demonstrating Leighton's need to draw from a naked model to achieve a fidelity to nature.
The toxic oleander branch in the top right possibly symbolizes the fragile link between sleep and death.
