Members of De Stijl sought a radical reform of art that kept pace with technical, scientific and social changes in the world. This reform included the use of a minimum of colours (primary colours, combined with black, white and grey) and the simplest possible design (preferably following the orthogonal system). Although the magazine De Stijl never sold more than 300 copies, it had a major influence on art in the Netherlands and abroad. Internationally, De Stijl is better known as neo-plasticism or new sculpture in which it played a central role in the European avant-garde from the 1930s onwards.
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