The Hon. Peniston Lamb, Sir Thomas Lawrence from the old master collection

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Product details & specifications
Type
Textile fabric (interchangeable fabric) in an aluminium or wooden frame
Width
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Height
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Custom sizing
Made to measure, in steps of 1 cm
Frame thickness
25 mm Aluminium: 2–3 mm visible on the front
Wood: 0.5 cm visible on each side
Frame colours
Black, white, aluminium, gold
Wood: natural Ayous
Finish
Fabric: matte
Aluminium frame: matte (gold glossy)
Wooden frame: natural
Acoustic option
Yes (optional)
Sturdiness
Support bar included from 180 cm (aluminium frame)
Delivery
Self-assembly kit
Hanging
Wall mounts, or on a ceiling rail (see components)
Components
Frame, acoustic panel, wall mounts, eyelets for rail mounting (via customer service)
Not suitable for
Damp areas and outdoor use
Material
SEG textile
Acoustic material (B1 fire class, partly made from recycled PET bottles)

Components (frame, acoustic panel, wall mounts, rail mounting) can be ordered via customer service. A separate interchangeable fabric can only be hung if you already have an ArtFrame.

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Acoustic material
Total price
2 176 kr
Art code 606346
The Hon. Peniston Lamb, Sir Thomas Lawrence by Masterful Masters
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Artist impression (not based on the entered sizes)
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Artist impression (not based on the entered sizes)

About ‘The Hon. Peniston Lamb, Sir Thomas Lawrence’

The Hon. Peniston Lamb, Sir Thomas Lawrence

This informal and striking portrait of the politician Peniston Lamb (1770–1805) shows off the precocious powers of Sir Thomas Lawrence at the start of his career.

The 'gentle-hearted and engaging’ Peniston Lamb was the Member of Parliament for Newport from 1793 to 1796 and the Member for Hertfordshire from 1802 until his death from tuberculosis in January 1805. In this portrait, Lawrence has depicted Lamb emerging dramatically from a gloomy backdrop; his illuminated face framed by the white highlights of his necktie and powdered hair. His head is turned at an angle so that his left eye is placed at the exact midpoint of the canvas; looking assertively out at the viewer under a deft sweep of arched eyebrow. Speedily and dexterously applied paint suggests the contrasting textures of the sitter’s smooth skin, fashionably powdered hair and velvet coat, while the voluptuous tumble of the cravat and ruffled hair lend informality and intimacy to the encounter.

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