The Bridge at Le Pecq, André Derain from the old master collection

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Product details & specifications
Type
Textile fabric (interchangeable fabric) in an aluminium or wooden frame
Width
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Height
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Custom sizing
Made to measure, in steps of 1 cm
Frame thickness
25 mm Aluminium: 2–3 mm visible on the front
Wood: 0.5 cm visible on each side
Frame colours
Black, white, aluminium, gold
Wood: natural Ayous
Finish
Fabric: matte
Aluminium frame: matte (gold glossy)
Wooden frame: natural
Acoustic option
Yes (optional)
Sturdiness
Support bar included from 180 cm (aluminium frame)
Delivery
Self-assembly kit
Hanging
Wall mounts, or on a ceiling rail (see components)
Components
Frame, acoustic panel, wall mounts, eyelets for rail mounting (via customer service)
Not suitable for
Damp areas and outdoor use
Material
SEG textile
Acoustic material (B1 fire class, partly made from recycled PET bottles)

Components (frame, acoustic panel, wall mounts, rail mounting) can be ordered via customer service. A separate interchangeable fabric can only be hung if you already have an ArtFrame.

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Acoustic material
Total price
2 304 kr
Art code 557391
The Bridge at Le Pecq, André Derain by Masterful Masters
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Artist impression (not based on the entered sizes)
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Artist impression (not based on the entered sizes)
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Artist impression (not based on the entered sizes)

About ‘The Bridge at Le Pecq, André Derain’

The Bridge at Le Pecq, André Derain

André Derain’s depiction of a busy river port is among the earliest and most impressive examples of Fauve painting. Fauvism, which flourished in France from about 1904 to 1908, was a short-lived but seminal artistic movement led by Derain, Henri Matisse, and Maurice de Vlaminck. The name of the movement—"fauve," meaning “wild beast”—was coined by a critic of their first exhibition in 1905; it accurately reflects both the unbridled energy of the paintings themselves and the shock and apprehension experienced by contemporary viewers. The use of violent and unmodulated colors applied in broad, flat areas, spontaneous, even rough execution, and a bold sense of surface design characterize Fauve compositions. As the first avant-garde movement of the twentieth century, Fauvism set the stage for subsequent developments such as Expressionism and Cubism.

In the fall of 1904, Derain returned to his home in Chatou, a small town on the Seine northwest of Paris, and roamed the area in search of new subjects to paint and radical ways to paint them. "The Bridge at Le Pecq" depicts a bustling scene on the banks of the Seine at Le Pecq, where goods shipped by barge along the river were transferred to horse-drawn carts. Derain rendered the chill winter day in a kaleidoscope of intense, unexpected colors. Patches of canvas he intentionally left bare are as crucial to the composition as the varied strokes of paint that animate the surf

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