Still Life with Ham, Pieter Claesz. from the old master collection

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Product details & specifications
Type
Textile fabric (interchangeable fabric) in an aluminium or wooden frame
Width
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Height
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Custom sizing
Made to measure, in steps of 1 cm
Frame thickness
25 mm Aluminium: 2–3 mm visible on the front
Wood: 0.5 cm visible on each side
Frame colours
Black, white, aluminium, gold
Wood: natural Ayous
Finish
Fabric: matte
Aluminium frame: matte (gold glossy)
Wooden frame: natural
Acoustic option
Yes (optional)
Sturdiness
Support bar included from 180 cm (aluminium frame)
Delivery
Self-assembly kit
Hanging
Wall mounts, or on a ceiling rail (see components)
Components
Frame, acoustic panel, wall mounts, eyelets for rail mounting (via customer service)
Not suitable for
Damp areas and outdoor use
Material
SEG textile
Acoustic material (B1 fire class, partly made from recycled PET bottles)

Components (frame, acoustic panel, wall mounts, rail mounting) can be ordered via customer service. A separate interchangeable fabric can only be hung if you already have an ArtFrame.

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Acoustic material
Total price
1 891 kr
Art code 600744
Still Life with Ham, Pieter Claesz. by Masterful Masters
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Artist impression (not based on the entered sizes)
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Artist impression (not based on the entered sizes)
Example of the artwork in a room
Artist impression (not based on the entered sizes)

About ‘Still Life with Ham, Pieter Claesz.’

Still Life with Ham, Pieter Claesz.

A cut clove-studded baked ham with its skin stripped back, dominates this painting. You can feel disgust or attraction to this somewhat macabre display of flesh and death, while at the same time admiring the formidable technical ability of the artist who painted it. The objects are so realistically depicted that you feel invited to take a seat.
The painting is typical of Claesz’ earlier works in the mid-1620s. It is a masterful composition with strong contrasts between the white tablecloth and the pitch-black background, reconciled in the middle by the pinkish-red ham. The straw and smoked herring strewn horizontally across the table create a sense of depth and compositional balance. In this work, Claesz’s ambition appears to have been to explore the form, colour and texture of the different composition elements. One can clearly sense the distinctiveness of the fatty ham, the shiny herring, the warm coals, the matte tin and crusty bread. Claesz often recycled elements from his previous works. The little mustard jar can be found in several of his works, including his still life paintings in the David Collection, Copenhagen and Musée des Beaux-Arts, Paris.
As was customary in the Baroque period, the painting contains several symbols which relate to the ephemeral nature of life, the so-called vanitas symbols. The seemingly arbitrary placement of food on the table leaves the spectator with an impression of a scene where someone has just re

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