Madame Moitessier, Jean-Auguste-Dominique Ingres from the old master collection

Buy Madame Moitessier, Jean-Auguste-Dominique Ingres as a reproduction on canvas, ArtFrame, poster and wallpaper, printed on demand in high quality.
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Product details & specifications
Type
Textile fabric (interchangeable fabric) in an aluminium or wooden frame
Width
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Height
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Custom sizing
Made to measure, in steps of 1 cm
Frame thickness
25 mm Aluminium: 2–3 mm visible on the front
Wood: 0.5 cm visible on each side
Frame colours
Black, white, aluminium, gold
Wood: natural Ayous
Finish
Fabric: matte
Aluminium frame: matte (gold glossy)
Wooden frame: natural
Acoustic option
Yes (optional)
Sturdiness
Support bar included from 180 cm (aluminium frame)
Delivery
Self-assembly kit
Hanging
Wall mounts, or on a ceiling rail (see components)
Components
Frame, acoustic panel, wall mounts, eyelets for rail mounting (via customer service)
Not suitable for
Damp areas and outdoor use
Material
SEG textile
Acoustic material (B1 fire class, partly made from recycled PET bottles)

Components (frame, acoustic panel, wall mounts, rail mounting) can be ordered via customer service. A separate interchangeable fabric can only be hung if you already have an ArtFrame.

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Aluminum frames
Wooden frames New
ArtFrame comes as a simple construction kit. View self-assembly instructions.
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Acoustic material
Total price
2 304 kr
Art code 469902
Madame Moitessier, Jean-Auguste-Dominique Ingres by Masterful Masters
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Artist impression (not based on the entered sizes)
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Artist impression (not based on the entered sizes)
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Artist impression (not based on the entered sizes)

About ‘Madame Moitessier, Jean-Auguste-Dominique Ingres’

Marie-Clotilde-Inès de Foucauld was born in 1821 and married Sigisbert Moitessier, a wealthy banker, in 1842. The portrait is influenced by the art of antiquity and the Renaissance. The pose, with the hand touching the cheek, is derived from an ancient Roman fresco of a goddess, from Herculaneum. This may suggest that for Ingres Madam Moitessier represented the ideal of classical beauty. The National Gallery's 'Portrait of a Lady' by Titian may have inspired him to add the profile in the mirror.

Ingres believed that portraiture was a less elevated art form than history painting. When first asked by Moitessier in 1844 to paint his wife, Ingres refused. On meeting her he was struck by her beauty and agreed. The picture was left unfinished and after seven years the sitter complained. In 1851, Ingres painted a standing portrait (National Gallery of Art, Washington) before returning to the seated portrait which he finally completed in 1856. The original intention had been to include the sitter's daughter Catherine, but she had grown up by the time Ingres came to complete the portrait.

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