Lawrence Alma Tadema. Spring, 1889 from the old master collection

Buy Lawrence Alma Tadema. Spring, 1889 as a reproduction on canvas, ArtFrame, poster and wallpaper, printed on demand in high quality.
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Product details & specifications
Type
Textile fabric (interchangeable fabric) in an aluminium or wooden frame
Width
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Height
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Custom sizing
Made to measure, in steps of 1 cm
Frame thickness
25 mm Aluminium: 2–3 mm visible on the front
Wood: 0.5 cm visible on each side
Frame colours
Black, white, aluminium, gold
Wood: natural Ayous
Finish
Fabric: matte
Aluminium frame: matte (gold glossy)
Wooden frame: natural
Acoustic option
Yes (optional)
Sturdiness
Support bar included from 180 cm (aluminium frame)
Delivery
Self-assembly kit
Hanging
Wall mounts, or on a ceiling rail (see components)
Components
Frame, acoustic panel, wall mounts, eyelets for rail mounting (via customer service)
Not suitable for
Damp areas and outdoor use
Material
SEG textile
Acoustic material (B1 fire class, partly made from recycled PET bottles)

Components (frame, acoustic panel, wall mounts, rail mounting) can be ordered via customer service. A separate interchangeable fabric can only be hung if you already have an ArtFrame.

Size
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Aluminum frames
Wooden frames New
ArtFrame comes as a simple construction kit. View self-assembly instructions.
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Acoustic material
Total price
2 024 kr
Art code 187186
Lawrence Alma Tadema. Spring, 1889 by 1000 Schilderijen
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About ‘Lawrence Alma Tadema. Spring, 1889’

Laurens, later Sir Lawrence, Alma Tadema was born a notary's son in the Frisian village of Dronrijp. Already at the age of 16, he began his education at the Antwerp Academy of Arts. During his trip to Pompeii in 1863, Alma Tadema conceived a love for the classical arts and architecture, which both stylistically and intrinsically matched his academic, precise painting style. In 1870, he moved to London, where he continued to live for the rest of his life. Alma Tadema was a beloved member of British Society, assumed English nationality and was even elevated to the peerage. Besides scenes set in antiquity, he also painted portraits and stage sets. In 1902, the painter undertook a trip to Egypt, which gave his work an inspiring new impetus. Alma Tadema?s historical accuracy was particularly remarkable for the time. His paintings were not considered reliable examples for historical films for nothing.

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