Like a filigree giant from another time, the Joseph's Cross in the southern Harz rises into the deep blue sky - bold, clear, almost surreal. This majestic steel latticework cross is not a sacred symbol in the traditional sense, but a technical masterpiece from the turn of the century that rises above the treetops of the Großer Auerberg. At 38 metres high, it is considered the largest double cross in the world - and yet its open, permeable construction carries an almost floating lightness.
The photograph captures the Joseph's Cross at a moment when it almost seems to be flying: the steel-blue sky without a cloud, the striking cross in organised symmetry - a composition of technology and light, of human ideas and heavenly expanse. A vapour trail on the horizon breaks the austerity of the picture like a fleeting thought. The building is reminiscent of Eiffel's architectural thinking - no coincidence, as the current form was actually built by a pupil of Gustave Eiffel in 1896.
The first wooden cross originally stood on this site in 1834, but was destroyed by a lightning strike. Today's construction, made of over 100 tonnes of steel, is not only a monument to the art of engineering, but also a popular vantage point. Those who climb the 200 steps are rewarded with a panoramic view over the southern Harz Mountains - on a clear day, the view extends as far as the Brocken.
This motif is ideal for modern wall art - especially in portrait format prints on acrylic glass or aluminium dibond. It appeals to architecture enthusiasts, Harz travellers and lovers of technical aesthetics alike. A picture that radiates clarity, symbolism and tranquillity - and invites you to linger.
I have always enjoyed photography. Even when I was young, I took photos with the Beirette. It even happened to me once that I inserted a film twice ... and the photos I took were very interesting.
I then bought my digital SLR camera in 2014. The first photos..
Read more…