Made the same year as Pissarro’s bird’s-eye views of the Jardin des Tuileries in Paris, this idyllic scene of a meadow near the artist’s home in rural Éragny is a counterpoint to his paintings of modern urban life. Pissarro depicted the same trio of haystacks, seen from a slightly different vantage point, and under afternoon rather than morning light, a practice recalling Monet’s Haystacks series of the early 1890s.
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Germany
Netherlands
Netherlands
Netherlands
Netherlands
Netherlands
Germany
Germany
Netherlands
Germany
Netherlands
Netherlands