"Damaged": This poignant work of art centers on a mournful young woman. Her gaze is transparent and full of sadness, which makes the pain read deep in her eyes.
The work emphasizes the idea that behind a seemingly beautiful appearance there are often hidden emotional scars. The woman symbolizes the fragility of the human spirit and the ability to bear inner pain, even when we show a smile on our face.
The contrast in the artwork between the woman's beauty and the damaged print evokes a sense of mystery and tragedy. It suggests that there is more to her outward appearance than meets the eye.
"Damaged": In this powerful artwork I want to convey a message regarding the "Me Too" movement and exposing abuse. The mournful young woman not only symbolizes individual pain and sorrow, but also the pain experienced by many victims of sexual abuse.
Through her sad look and the damaged print, I try to visualize the impact of abuse and the emotional scars it leaves behind. The artwork raises questions about the complex dynamics between beauty, vulnerability and the hidden suffering that many victims bear.
With this work I want to draw attention to the problem of sexual abuse and the need to support victims. It is a call for empathy, awareness and action to break the culture of silence and shame.
The damaged print symbolizes the scars and wounds we carry with us, reminding us that sometimes beauty comes with pain. The work invites the viewer to reflect on the emotional complexity of human existence and to show empathy for the hidden pain others may experience.
"Damaged" is intended to spark dialogue and give a voice to those who feel themselves damaged by abuse. It is an invitation to the viewer to acknowledge, discuss and effect change on this important issue.
My work exists at the intersection of modern Pop Art and Expressionism, with influences from Modernism. Contrast, whether in light, color, or subject, plays a central role in my art. The color red is often prominently featured.
Each piece I create tells a story. I produce..
Read more…