A View of Tivoli Cascade, Jean Joseph Xavier Bidauld from the old master collection

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Type
Textile fabric (interchangeable fabric) in an aluminium or wooden frame
Width
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Height
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Custom sizing
Made to measure, in steps of 1 cm
Frame thickness
25 mm Aluminium: 2–3 mm visible on the front
Wood: 0.5 cm visible on each side
Frame colours
Black, white, aluminium, gold
Wood: natural Ayous
Finish
Fabric: matte
Aluminium frame: matte (gold glossy)
Wooden frame: natural
Acoustic option
Yes (optional)
Sturdiness
Support bar included from 180 cm (aluminium frame)
Delivery
Self-assembly kit
Hanging
Wall mounts, or on a ceiling rail (see components)
Components
Frame, acoustic panel, wall mounts, eyelets for rail mounting (via customer service)
Not suitable for
Damp areas and outdoor use
Material
SEG textile
Acoustic material (B1 fire class, partly made from recycled PET bottles)

Components (frame, acoustic panel, wall mounts, rail mounting) can be ordered via customer service. A separate interchangeable fabric can only be hung if you already have an ArtFrame.

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Acoustic material
Total price
2 168 kr
Art code 915111
A View of Tivoli Cascade, Jean Joseph Xavier Bidauld by Masterful Masters
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Artist impression (not based on the entered sizes)
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Artist impression (not based on the entered sizes)
Example of the artwork in a room
Artist impression (not based on the entered sizes)

About ‘A View of Tivoli Cascade, Jean Joseph Xavier Bidauld’

A View of Tivoli Cascade, Jean Joseph Xavier Bidauld

Jean Joseph Xavier Bidauld was a member of the early generation of neo-classical landscapists. He was taught by Claude-Joseph Vernet, who had introduced oil sketching to the influential artist and teacher Pierre-Henri de Valenciennes. Bidauld was in Italy from 1785 to 1790, where he produced studies which are characteristically detailed and highly finished. This view, probably completed in the studio, is no exception.

Tivoli, lying to the north-east of Rome and famous for its waterfalls, was a favourite destination for painters. In Bidauld’s study the whole of the left side is in deep shadow, the soft brushstrokes in dark greens, conveying a sense of damp mossy vegetation. On the right, in full sun, the foliage is meticulously delineated and the fall of sunlight on the leaves at the right and at the top is captured in minute touches of paint. The thunderous descent of the water is conveyed with fluid strokes of white.

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