Girl Awakening, Eva Gonzalès from the old master collection

Buy Girl Awakening, Eva Gonzalès as a reproduction on canvas, ArtFrame, poster and wallpaper, printed on demand in high quality.
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Product details & specifications
Type
Textile fabric (interchangeable fabric) in an aluminium or wooden frame
Width
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Height
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Custom sizing
Made to measure, in steps of 1 cm
Frame thickness
25 mm Aluminium: 2–3 mm visible on the front
Wood: 0.5 cm visible on each side
Frame colours
Black, white, aluminium, gold
Wood: natural Ayous
Finish
Fabric: matte
Aluminium frame: matte (gold glossy)
Wooden frame: natural
Acoustic option
Yes (optional)
Sturdiness
Support bar included from 180 cm (aluminium frame)
Delivery
Self-assembly kit
Hanging
Wall mounts, or on a ceiling rail (see components)
Components
Frame, acoustic panel, wall mounts, eyelets for rail mounting (via customer service)
Not suitable for
Damp areas and outdoor use
Material
SEG textile
Acoustic material (B1 fire class, partly made from recycled PET bottles)

Components (frame, acoustic panel, wall mounts, rail mounting) can be ordered via customer service. A separate interchangeable fabric can only be hung if you already have an ArtFrame.

Size
Complete set or interchangeable Art Print?
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Aluminum frames
Wooden frames New
ArtFrame comes as a simple construction kit. View self-assembly instructions.
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Acoustic material
Total price
2 240 kr
Art code 548911
Girl Awakening, Eva Gonzalès by Masterful Masters
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About ‘Girl Awakening, Eva Gonzalès’

Girl Awakening, Eva Gonzalès

Eva Gonzalès was one of the foremost female Impressionists, together with Berthe Morisot and Mary Cassatt. By the age of 16, she had already taken art lessons with the successful society portraitist Charles Chaplin. Three years later, she met Edouard Manet, becoming his only female pupil. Like Manet, she did not take part in the First Impressionist Exhibition in 1874, though in that same year, and even as early as 1870 and 1873, she earned recognition at the Salon, in particular with her delicate pastels. In 1879, she married the painter and engraver Henri-Charles Guérard, who was also a friend of Manet’s. Four years later, she died shortly after giving birth to her son. Her husband later married her sister Jeanne, who had often sat as a model for Eva Gonzalès, as is the case with this Bremen painting. Here, we see the young woman shortly after she has awakened, her gaze still dreamy and distant. Her delicate skin and black hair stand out vividly against the white-in-white of the bed, bedclothes, nightgown, and table ensemble shot through with shades of blue, beige, and pink shadows. A companion-piece sketch to this sensual portrayal is housed in a private collection. It shows Jeanne in an identical pose, her eyes closed in sleep, though the color tones are clearly more restrained.

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