Fernand Léger, Composition, Ca. 1920 by Atelier Liesjes

This black-and-white abstract work from around 1920 reflects Léger's fascination with mechanisation and industrial forms. The composition consists of geometric figures such as rectangles, circles, pipes and gear-like elements, which together form a rhythmic and almost architectural whole. A striking vertical black plane with three white squares in it is reminiscent of a machine part or building. The clean lines and contrasting planes create a sense of order and dynamism.

This drawing is typical of Léger's transition from cubism to his own style, in which he combined human and mechanical forms into visual poetry. The work exudes the spirit of modernism and ties in with movements such as futurism, which focuses on technology and progress.

Fernand Léger was a French artist born in Argentan, Normandy. He began his career as an architectural draftsman before devoting himself entirely to painting. In Paris, he studied at the École des Beaux-Arts and the Académie Julian, where he came into contact with avant-garde artists such as Robert Delaunay and Marc Chagall.

Léger is considered an important representative of cubism, but he soon developed his own style that was distinct from that of Picasso and Braque. His work is characterised by:

Geometric forms: He used cylindrical and mechanical structures to abstract people and objects.

Bright, contrasting colours: Léger often chose bright areas of colour that he juxtaposed to create depth and rhythm.

Industrial and modern theme: His paintings often reflect the dynamics of the modern city and technology.

Figurative elements: After World War I, his works became more accessible and included more recognisable human figures.

His style influenced later movements such as pop art and he also worked with film, mosaic and sculpture.