Old Church at Giverny, Theodore Robinson from the old master collection

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Type
Textile fabric (interchangeable fabric) in an aluminium or wooden frame
Width
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Height
Aluminium: min. 30 cm – max. 15 m (other side max. 3 m)
Wood: min. 30 cm – max. 130 cm
Custom sizing
Made to measure, in steps of 1 cm
Frame thickness
25 mm Aluminium: 2–3 mm visible on the front
Wood: 0.5 cm visible on each side
Frame colours
Black, white, aluminium, gold
Wood: natural Ayous
Finish
Fabric: matte
Aluminium frame: matte (gold glossy)
Wooden frame: natural
Acoustic option
Yes (optional)
Sturdiness
Support bar included from 180 cm (aluminium frame)
Delivery
Self-assembly kit
Hanging
Wall mounts, or on a ceiling rail (see components)
Components
Frame, acoustic panel, wall mounts, eyelets for rail mounting (via customer service)
Not suitable for
Damp areas and outdoor use
Material
SEG textile
Acoustic material (B1 fire class, partly made from recycled PET bottles)

Components (frame, acoustic panel, wall mounts, rail mounting) can be ordered via customer service. A separate interchangeable fabric can only be hung if you already have an ArtFrame.

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Acoustic material
Total price
2 240 kr
Art code 563013
Old Church at Giverny, Theodore Robinson by Masterful Masters
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Artist impression (not based on the entered sizes)
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Artist impression (not based on the entered sizes)
Example of the artwork in a room
Artist impression (not based on the entered sizes)

About ‘Old Church at Giverny, Theodore Robinson’

Old Church at Giverny, Theodore Robinson

Old Church at Giverny was painted in the summer of 1891 and depicts the west elevation and conical tower of the Church of Sainte Radegonde in the French village of Giverny, located fifty miles from Paris on the River Seine. In the late nineteenth century, France was an international center of artistic training and production and was a popular destination for American painters and collectors. Typically, American artists would settle in Paris but also make regular excursions into the French countryside, where they could paint outdoors. Theodore Robinson was among a group of American painters who began to visit Giverny, where the French impressionist painter Claude Monet had settled in 1883. Robinson's friendship with Monet greatly influenced his technique in this period and manifested itself most significantly in the loose brushstrokes that indicate color and light. The paintings made by Robinson at Giverny are notable for the absence of the modernity that was sweeping French cities and towns, and appear to emphasize Giverny as a place where man and nature can still live in harmony.

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